Reading the Screen: An Introduction to Film Studies module (EN11003)
An Introduction to Film Studies
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Credits
20
Module code
EN11003
In this module you will view films hailing from the birth of cinema to the present day. We teach you how to 'read' a film, with a focus on film-making technique as well as historical and cultural context. We explore key techniques and issues in Film Studies including:
Mise en scene – lighting, costume, sound, colour, framing, camerawork
editing
narrative
auteur theory
voyeurism, spectatorship and the ‘male gaze’
genre
What you will learn
In this module, you will:
be introduced to the critical study of film
establish the technical vocabulary for analysing film
learn to identify basic theoretical concerns associated with Film Studies
develop skills in reading for, and preparing written papers
explore key debates surrounding Film Studies
By the end of this module, you will be able to:
identify the significant elements of a film frame and sequence of shots
discuss and write about film using an appropriate vocabulary
critically analyse a sequence of film
demonstrate the ability to engage with key theoretical and historical issues in Film Studies
demonstrate skills in research, working to programme referencing conventions
Assignments / assessment
close analysis exercise 1,500 words (40%)
final essay 2,500 words (60%)
Teaching methods / timetable
There is a
weekly lecture (1 hour)
weekly seminar (2 hours)
Here is an example of a schedule of weekly topics to be studied:
Week 1
Intro/ Early Cinema. Hugo (Scorsese, 2011)
Week 2
Silent Cinema Case Study. D.W. Griffith, A Corner in Wheat (1909) & excerpts from Birth of a Nation (1915), Intolerance (1916) and Broken Blossoms (1919)
Week 3
Editing. A Hard Day’s Night (Lester, 1960)
Week 4
Sound and Music. Psycho (Hitchcock, 1960)
Week 5
Camerawork, Framing and Colour. Winter’s Bone (Granik, 2010)
Week 6
Reading Week. No lectures or seminars
Week 7
Film Production. Bright Star (Campion, 2009)
Week 8
Authorship. Citizen Kane (Welles, 1941)
Week 9
Genre: Horror. Get Out (Peele, 2017)
Week 10
Spectatorship and Identification. Rafiki (Kahiu, 2018)
Week 11
Structure and the Screenplay. Comfort and Joy (Forsyth, 1984)