Reading the Screen: An Introduction to Film Studies module (EN11003)

An Introduction to Film Studies

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Credits

20

Module code

EN11003

In this module you will view films hailing from the birth of cinema to the present day. We teach you how to 'read' a film, with a focus on film-making technique as well as historical and cultural context. We explore key techniques and issues in Film Studies including:

  • Mise en scene – lighting, costume, sound, colour, framing, camerawork
  • editing
  • narrative
  • auteur theory
  • voyeurism, spectatorship and the ‘male gaze’
  • genre

What you will learn

In this module, you will:

  • be introduced to the critical study of film
  • establish the technical vocabulary for analysing film
  • learn to identify basic theoretical concerns associated with Film Studies
  • develop skills in reading for, and preparing written papers
  • explore key debates surrounding Film Studies

By the end of this module, you will be able to:

  • identify the significant elements of a film frame and sequence of shots
  • discuss and write about film using an appropriate vocabulary
  • critically analyse a sequence of film
  • demonstrate the ability to engage with key theoretical and historical issues in Film Studies
  • demonstrate skills in research, working to programme referencing conventions

Assignments / assessment

  • close analysis exercise 1,500 words (40%)
  • final essay 2,500 words (60%)

Teaching methods / timetable

There is a

  • weekly lecture (1 hour)
  • weekly seminar (2 hours)

Here is an example of a schedule of weekly topics to be studied:

Week 1 Intro/ Early Cinema. Hugo (Scorsese, 2011)
Week 2 Silent Cinema Case Study. D.W. Griffith, A Corner in Wheat (1909) & excerpts from Birth of a Nation (1915), Intolerance (1916) and Broken Blossoms (1919)
Week 3 Editing. A Hard Day’s Night (Lester, 1960)
Week 4 Sound and Music. Psycho (Hitchcock, 1960)
Week 5 Camerawork, Framing and Colour. Winter’s Bone (Granik, 2010)
Week 6 Reading Week. No lectures or seminars
Week 7 Film Production. Bright Star (Campion, 2009)
Week 8 Authorship. Citizen Kane (Welles, 1941)
Week 9 Genre: Horror. Get Out (Peele, 2017)
Week 10 Spectatorship and Identification. Rafiki (Kahiu, 2018)
Week 11 Structure and the Screenplay. Comfort and Joy (Forsyth, 1984)

Courses

This module is available on following courses: