Study Modernist literature across national boundaries, reading both British and American writers of the early 20th century
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Credits
30
Module code
EN41036
This module focuses on major innovations in literary style and ambition in the Modernist period through the study of both British and American writers. The content of this module will form an important foundation for further studies.
You will approach texts and issues through a variety of topics. Examples of what you will study include:
transatlantic conversations and influences
the impact of technology
the influence of film
intertextuality (where texts interact with each other through quotes, references, etc.)
formal experimentation (where writers consciously depart from stylistic norms)
questions of gender, sexuality, race, and colonialism
the politics of revolution and war
theories of the unconscious (i.e. how writers are unconsciously affected by their culture, upbringing, and surroundings)
the ‘anti-Modernism’ of the 1930s
the influence of ‘little magazines’
What you will learn
In this module, you will:
gain knowledge of fiction, poetry, and drama using key examples of literary innovation from 1900-1950
develop a critical understanding of those texts and their authors' lives within the diverse contexts of Modernism
extend your skills in the interpretation of complex texts
grow your confidence in essay writing
By the end of this module you will be able to:
make insightful comparisons between the themes and styles of the major writers of the period
productively use manuscripts, archives, and other research resources
develop an independent research question and follow it through to a completed written essay - important training for postgraduate studies
Assignments / assessment
class presentation (20%)
close reading essay 2,000 words (30%)
research essay 4,000 words (50%)
you will have the opportunity for a one-to-one meeting with staff to discuss your Research Essay plans
This module does not have a final exam.
Teaching methods / timetable
lectures
introduction to weekly readings, providing context for the author's life and work, and rehearsing major critical arguments and issues
seminars
group discussions, including time for delivering and receiving feedback on class presentations