Carrie Doherty
Carrie Doherty explores the complicated relationship between grief and faith through film and painting.
About
Carrie Doherty has created a series of five oil paintings, a series of three watercolour paintings and a film that contextualise her personal experience with grief regarding the loss of her father and her complicated relationship with faith which ensued thereafter. Her oil paintings explore the five stages of grief and incorporate the use of her father's ashes mixed within small amounts of paint and sealed beneath a resin-based varnish in a bid to immortalise her father within her work. Carrie's work incorporates the preservation and subversion of religious imagery and concepts which derived from her Catholic upbringing that she associates with grief and human suffering.
The Worm (2024) contains nudity and scenes of a distressing nature that may be inappropriate for a young or sensitive audience
Apple of Sodom
A1, watercolour, alcohol ink
The Worm (2024)
The Worm explores the coalescence of both human and religious suffering.